Everything is easier with modern technology – except fulfilling your true potential The convenience of modern life is nothing short of astounding. As I write this, my phone is wirelessly sending some of the greatest hits from the 1700s (Bach, if you must know) to my portable speaker. I could use that same device to, within moments, get a car to pick me up, have food delivered to my house, or start chatting with someone on a dating app. To human beings from even the recent past this technology would be, to quote Arthur C Clarke’s third law, indistinguishable from magic. The fact that, as a culture, we seek out and celebrate such short cuts is understandable. They take much of the tedium out of life, make it easier to have fun, and save us time and energy. That said, most people are able to intuit that convenience has a darker side. Continue reading...

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In Lewis Packwood’s book Curious Video Game Machines, Voja Antonić explains how he built a console and published instructions for anyone to make their own Very few Yugoslavians had access to computers in the early 1980s: they were mostly the preserve of large institutions or companies. Importing home computers like the Commodore 64 was not only expensive, but also legally impossible, thanks to a law that restricted regular citizens from importing individual goods that were worth more than 50 Deutsche Marks (the Commodore 64 cost over 1,000 Deutsche Marks at launch). Even if someone in Yugoslavia could afford the latest home computers, they would have to resort to smuggling. In 1983, engineer Vojislav “Voja” Antonić was becoming more and more frustrated with the senseless Yugoslavian import laws. “We had a public debate with politicians,” he says. “We tried to convince them that they should allow [more expensive items], because it’s progress.” The efforts of Antonić and others were fruitless, however, and the 50 Deutsche Mark limit remained. But perhaps there was a way around it. Continue reading...

Statement comes as tech firms try to use creative professionals’ work to train AI models Abba’s Björn Ulvaeus, the actor Julianne Moore and the Radiohead singer Thom Yorke are among 10,500 signatories of a statement from the creative industries warning artificial intelligence companies that unlicensed use of their work is a “major, unjust threat” to artists’ livelihoods. The statement comes amid legal battles between creative professionals and tech firms over the use of their work to train AI models such as ChatGPT and claims that using their intellectual property without permission is a breach of copyright. Continue reading...

The Dutch-Israeli author on a demonic club hit, her fish fixation, and her love of furniture restoration videos Born in Tel Aviv, Israel in 1987, Yael van der Wouden is a writer and teacher who lectures in creative writing and comparative literature in the Netherlands. Her work has appeared in publications including LitHub, Electric Literature and Elle.com, and she has a David Attenborough-themed advice column, Dear David, in the online literary journal Longleaf Review. Her essay on Dutch identity and Jewishness, On (Not) Reading Anne Frank, received a notable mention in the 2018 Best American Essays collection. The Safekeep, published by Viking earlier this year, is Van der Wouden’s debut novel and is shortlisted for the Booker prize. Continue reading...

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